Darwin

Created by Dino Franco Felluga on Fri, 10/23/2020 - 16:55

Darwin

Timeline

Chronological table

Displaying 1 - 4 of 4

Date	Event	Created by	Associated Places
187	Christopher Dresser, Principles of Decorative Design Christopher Dresser publishes Principles of Decorative Design. Articles Irena Yamboliev, “Christopher Dresser, Physiological Ornamentist” Related Articles Morna O’Neill, “On Walter Crane and the Aims of Decorative Art” Wendy S. Williams, "‘Free-and-Easy,’ ‘Japaneasy’: British Perceptions and the 1885 Japanese Village" Siobhan Carroll, "On Erasmus Darwin’s The Botanic Garden, 1791-1792" Shannon Draucker, “Hearing, Sensing, Feeling Sound: On Music and Physiology in Victorian England, 1857-1894”	David Rettenmaier
Jan 1857 to Dec 1858	Christopher Dresser, “Botany as Adapted to the Arts and Art-Manufacture” Christopher Dresser publishes “Botany as Adapted to the Arts and Art-Manufacture” in The Art Journal as an eleven-part essay. Image: Christopher Dresser, nature’s diaper patterns, from “Botany as Adapted to the Arts and Art-Manufacture” (1857-1858). Public domain. Articles Irena Yamboliev, “Christopher Dresser, Physiological Ornamentist” Related Articles Wendy S. Williams, "‘Free-and-Easy,’ ‘Japaneasy’: British Perceptions and the 1885 Japanese Village" Siobhan Carroll, "On Erasmus Darwin’s The Botanic Garden, 1791-1792" Shannon Draucker, “Hearing, Sensing, Feeling Sound: On Music and Physiology in Victorian England, 1857-1894”	David Rettenmaier
24 Nov 1859 to 24 Nov 1859	On the Origin of Species Publication of Charles Darwin’s On the Origin of Species: Or the Preservation of Favoured Races in the Struggle for Life. Image. "Charles Darwin, on the Origin of Species. London: John Murray, 1859. Articles Nathan K. Hensley and John Patrick James, “Sooth Moth: Biston Betularia and the Victorian End of Nature.	David Rettenmaier
1862	Christopher Dresser, The Art of Decorative Design Expanding on his studies of botany and ornament, the designer Christopher Dresser publishes The Art of Decorative Design, in which he argues that ornamentists should look to the laws that orchestrate plant growth and the laws that condition how the human mind reacts to form. Dresser’s “scientific” approach to design engages with the then-new empirical inquiries into aesthetic perception, the physiological or psychological aesthetics. Exact month of publication unknown. Image: Plate II from Dresser, The Art of Decorative Design (1862). Courtesy of the Department of Special Collections, Stanford University Libraries. Articles Irena Yamboliev, “Christopher Dresser, Physiological Ornamentist” Related Articles Morna O’Neill, “On Walter Crane and the Aims of Decorative Art” Wendy S. Williams, "‘Free-and-Easy,’ ‘Japaneasy’: British Perceptions and the 1885 Japanese Village" Siobhan Carroll, "On Erasmus Darwin’s The Botanic Garden, 1791-1792" Shannon Draucker, “Hearing, Sensing, Feeling Sound: On Music and Physiology in Victorian England, 1857-1894”	David Rettenmaier