da Vinci and the Renaissance 2019 (Italy) Dashboard

Description

Leonardo da Vinci drawingsLed by Prof. Dino Franco Felluga ([email protected]), da Vinci and the Renaissance is a fully cross-disciplinary study-abroad program that explores the transition from the medieval period to the Renaissance across multiple subjects (art, architecture, engineering, science), thus laying out how much of what we take for granted today about technology or about the human subject were implemented in this rich period, especially in Italy.  The focus for the course will be that most famous “Renaissance man,” Leonardo da Vinci.  The course’s interdisciplinary approach asks students to think about the constructed nature of the things we take for granted as “natural” (e.g., time, space, human subjectivity, meaning, sight, knowledge, and law), thus opening our eyes to the significance of cultural differences.

We finish in the last days of the course by flash-forwarding to our present century so we can consider not only how Renaissance thinking made possible a number of present-day developments (robotics and computing, for example), but also the myriad ways that we are now seeing a cultural, ontological, and epistemological shift that is as far-reaching as the one between the medieval period and the Renaissance. The Peggy Guggenheim Museum and the Venice Biennale will provide us with our artistic examples of so-called “postmodernism.”

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Posted by Christopher Embry on Sunday, May 19, 2019 - 14:09

The international Royal Cracow Piano Festival, a yearly series of five piano concerts, was the venue for the first recital of Slawomir Zubryzycki’s viola organista. Zubryzycki primarily performed pieces usually played by a cello or viola de gamba. This showed the unique timbre of the instrument, as Zubryzycki was able to approximate various bowed strings.

About the Festival. (n.d.). Retrieved from http://www.cracowpianofestival.com/about/

Zubryzycki, S. (n.d.). Biography. Retrieved from http://www.violaorganista.com/en/slawomir_zubrzycki/biography/

Place
Posted by Christopher Embry on Sunday, May 19, 2019 - 07:38

Icelandic singer Bjork primarily wrote and recorded her 2015 album Vulnicura at her house in Brooklyn Heights, New York. Bjork maintains a high-quality studio environment within her home but uses external studios for recording groups of string players that cannot fit in her house. From New York, she was able to collaborate with her team of producers, as well as with Slawomir Zubryzycki in order to obtain viola organista recordings when Vulnicura Strings was released in late 2015.

Tingen, P. (n.d.). Inside Track: Björk's Vulnicura. Retrieved from https://www.soundonsound.com/techniques/inside-track-bjorks-vulnicura

Posted by Christopher Embry on Sunday, May 19, 2019 - 06:44
Posted by Christopher Embry on Sunday, May 19, 2019 - 06:33
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Posted by Christopher Embry on Saturday, May 18, 2019 - 17:35
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Posted by Chloe Romero on Saturday, May 18, 2019 - 17:33
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Posted by Christopher Embry on Saturday, May 18, 2019 - 15:05
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Posted by Christopher Embry on Saturday, May 18, 2019 - 14:15
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Posted by Christopher Embry on Saturday, May 18, 2019 - 14:03
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Posted by Christopher Embry on Saturday, May 18, 2019 - 13:39

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