UVU Victorian Literature (Fall 2018) Dashboard

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This group is a collaborative effort of the members of Utah Valley University's "Victorian Literature" class. It will include a timeline, map, and blog posts related to our course materials. For our timeline, we will place a selection of key political, social, and historical events in conversation with our course texts. Timeline events will be chosen for their relevance to the content and context of our readings. These events will be complemented by a brief blog post/annotation exploring the relationship between literary and cultural history. Our map will help us visualize the spatial relation between our timeline events and course texts. 

Galleries, Timelines, and Maps

Blog entry
Posted by Kelsie Tylka on Tuesday, October 9, 2018 - 22:49

This poem extols the virtues of an ideal woman during Victorian times. Coventry Patmore wrote this poem to memorialize his deceased wife, Emily. It chronicles a young, virtuous woman’s life from youth to marriage and all that a man should expect from their devoted wives. This poem was published in four installations in 1858, but didn’t gain popularity until later in 19th century. This popularity made it a common fixture in Victorian libraries. The term “Angel in the home” became a universal term for women of this era.

Some of the most memorable lines refer to the woman and are characteristics. In Canto IV The Morning Call he mentions:

  How artless in her very art;
How candid in discourse; how sweet
     The concord of her lips and heart;
How simple and how circumspect;
     How subtle and how fancy-free;
Though sacred to her love, how deck'd
     With unexclusive courtesy;
How quick in talk to see from far...

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Blog entry
Posted by Layton West on Monday, October 8, 2018 - 04:31

In the 19th century, child labor was not a new invention. Poor families have always influenced children to enter the workforce as soon as they were able bring in income. Additionally, children often made practical and cheap employees for big businesses. By the mid-1800s, it was the norm for children to work a dozen hours a day doing hard labor, often in coal mines. Around the same time, the working conditions had become so bad that legislature and literature used their influence to improve working circumstances for child workers.

In the year 1842, author and poet, Elizabeth Barrett Browning, observed and read reports regarding the dire conditions and exploitation of children in the coal mines of Britain. A year later, she published her poem The Cry of the Children. Her poem advocates for the children workers by appealing to the public. Published widely, starting in the capital of Scotland, Browning’s poem was a powerful protest against the terrible state...

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Blog entry
Posted by Griffin Kerr on Thursday, October 4, 2018 - 14:34

According to the Oxford English Dictionary, the term “freak of nature” became a part of general vocabulary in 1847. The popularity of this term demonstrates the general public’s obsession in 1840’s Britain with the bizarre and abnormal. In this same year, Charlotte Bronte published her classic novel Jane Eyre. The connection between the appearance of the term “freak of nature” and Jane Eyre is interesting when considering the role of Bertha Mason in the context of the novel and the time period in which it was written. Bertha Mason is described as a lunatic in the novel and while there is a difference between lunacy and physical deformities or peculiarities, the manner in which Bertha Mason is presented in the novel clearly portrays her as a “freak of nature”. For example, once Mr. Rochester’s secret is revealed he theatrically proclaims, “I invite you all to come up to the house and visit Mrs. Poole’s patient, and my wife!” (292). Upon taking his audience...

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Blog entry
Posted by Kelsie Tylka on Saturday, September 29, 2018 - 00:12

A governess is a women employed in a private household to educate pupils (usually girls) in a range of “accomplishments” ranging from reading to drawing. Governesses became increasing popular through the Victorian era for both the Upper and Middle-classes. Women who became governesses were generally “ladies” of an upper or middle-class upbringing themselves that had fallen on hard times and required to work for their living. Generally, governesses would live in the household and receive a salary along with their room and board. Because of their class, governesses commonly found themselves outsiders within the household. The governess’s role as caregiver of the family children and (usually) higher social background made it difficult for a governess to find their position within the social hierarchy of the household. They could not socialize with their employers and often they were ostracized by the other servants of the household for their required deference. This meant that life as...

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Blog entry
Posted by Madison Holling... on Friday, September 28, 2018 - 22:21

The Awakening Conscience was painted by William Holman Hunt in 1853 and depicts a man and his mistress with the mistress in the middle of a revelation and rising toward redemption. The painting is also full of symbolism and includes such things as a man's glove on the floor which symbolizes the fate of a cast-off mistress was likely to be prostitution, and a tangled mess of yarn on the floor that symbolizes the tangled life and situation the girl has gotten herself into. This painting is interesting to look at in regards to the Victorian's attitude on woman - an attitude that played a part in both Hunt's and Dickens' lives as well as in Dickens' novel Oliver Twist.

Both Hunt and Dickens had connections with lower class or fallen women. Hunt's girlfriend and model for this painting was uneducated bar maid Annie Miller. Since he planned to marry her he arranged to have her educated while he was away on a trip to Palestine. Although their relationship did not...

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Blog entry
Posted by McKaley Clark on Tuesday, September 18, 2018 - 23:36

Magazine Day in the 1820’s is equivalent to us, today, waiting for the newest blockbuster film to come out (Star Wars, Harry Potter, Avengers, etc.). While we are in anticipation as to what will happen to our beloved characters and the dramatic shifts in the story lines, so were the people of England during the era of periodicals and magazines. Waiting for the monthly installment of magazines was regarded to be a wait of high anticipation. During this period, Charles Dickens was one of the authors who seemed to thrive while writing his novels in installments, instead of all at once. According to Michelle Allen Emerson, “it is unlikely, however, that Magazine Day would have become as culturally central as it did without Dickens’s unrivalled success with the monthly serial form”.

Oliver Twist, written by Dickens, was published in periodicals. You can see the ways that Dickens was able to captivate his audience and leave them in suspense. Throughout Oliver Twist,...

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Blog entry
Posted by Griffin Kerr on Sunday, September 9, 2018 - 22:35

As mentioned on the timeline, the 1839 Act on Custody of Infants enabled mothers to petition for custody of their children up to the age of seven. Before this parliamentary act, fathers were always given custody of their children. This has interesting implications in relation to Charles Dickens Oliver Twist, the last installment of which was published just three months before the bill was enacted. 

While it is interesting to consider the legal implications of Oliver's various adoptions throughout the novel (particularly how at the end of the book he ends up in the custody of Mr. Brownlow instead of Mrs. Maylie), I think it is even more worthwhile to consider how the novel and the act represent the time period's view of womanhood and motherhood. The 1839 Act on Custody of Infants is often considered the start of what is known as the "Tender Years" doctrine, which essentially states that in a child's earlier (tender) years it is best for the child to be in the custody...

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Individual Entries

Blog entry
Posted by Madison Holling... on Sunday, December 2, 2018 - 21:43

In May of 1857 soldiers of the Bengal Army shot their British officers and marched on Delhi. The mutiny encouraged several other parts of India to rebel as well and soon the British presence in India was considerably reduced until forces were able to launch offenses that helped restore Imperial power in 1858. The Indians rebelled in large part because their way of life, customs, and religions were all largely being disregarded by their British rulers which they found depply offensive. Back in the UK the genreal public was shocked by the rebellion and the loss of life on both sides "involving the massacre by the rebels of captured Europeans, including women and children, and the indiscriminate killing of Indian soldiers and civilians by the avenging British armies" (Marshall). This rebellion, and the picture it painted of India, undoubtedly helped to shape the general opinion of the British public that India was a somewhat savage place.

In Arthur Conan...

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Chronology Entry
Posted by Madison Holling... on Sunday, December 2, 2018 - 21:19
Chronology Entry
Posted by Kelsie Tylka on Wednesday, November 28, 2018 - 19:05
Chronology Entry
Posted by Kelsie Tylka on Wednesday, November 28, 2018 - 18:59
Blog entry
Posted by Lydia Lords on Wednesday, November 28, 2018 - 12:27

In 1861 the Book of Household Management was published by Isabella Beeton. This book was ultimately and precisely used as a cookbook and a guide for the middle-class domestic housewife. This cookbook was both a book full of recipes along with guidelines on how to manage "servants, children, dinner parties, clothing and furnighings" (Zlotnick). This book was perfect for your every day middle-class house wife in the Victorian Era. In regard to its publication, Susan Zlotnick wrote an essay in which she talked about this esteemed book. Zlotnick's discusses many topics regarding the Book of Household Management. Topics mainly orbiting around the idea that this books is a guide for middle-class house wifes who have never managed or needed to manage a household. Zlotnick explains that the "[o]ne subject in particular that produced anxiety for the middle-class Victorian housewife was the management of servants". Zlotnick is hinting at the idea that this book may have...

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Blog entry
Posted by Lydia Lords on Wednesday, November 28, 2018 - 11:57

Automatic writing is a pyschic ability that many claim allows them to produce written words without the act of actually writing. These written words are claimed to come from a supernatural, spiritual, or a subconscious source. Automatic writing, and other trance utterings, is what fills the pages of the Cross-correspondence scripts made by the Society of Psychical Reasearch (SPR). The scripts were supposed accounts of intelligible messages from beyond the grave or from teleapathy. There are many skeptics for the correspondences that say it is just "meaningless" data in which the members of SPR are creating from self-delusion and by chance. Even though there are many skeptics about these series of correspondences, it doesn't stop many people from joining the Society. Amoung other authors mentioned in Jill Galvans article "Tennyson's Ghosts: The Psychical Research Case of the Cross-Correspondences, 1901- c.1936", Tennyson is one of them. 

At first reading In Memoriam ...

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Blog entry
Posted by Lydia Lords on Wednesday, November 28, 2018 - 11:28

The Dangerous Drugs Act of 1920 was an Act which set out to control the import, export, distribution, and possession of drugs within the United Kingdom. Before this Act, drugs such as heroin, opium, cocaine, and morphine were used for medical and recreational use. Because these drugs were used so widely and without proper doses, it lead to multiple accounts of drug addiction. Drug addiction in the early 19th century was thought of as a disease. However, after many years it was realized that this "disease" was in fact not a disease and was being caused by high doses of drugs and the addiction to them. Once the government realised the real issue with drug use of society, they set out to impliment this Act in hopes of lowering drug addiction cases and raising awareness of the dangers of these drugs. 

Reading about the Dangerous Drugs Act of 1920 added a closer understanding of many of the texts we read this year. I never realised before the theme of drug use in our texts until...

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Blog entry
Posted by Kelsie Tylka on Monday, November 26, 2018 - 19:19

Egyptomania was a Victorian fad that began as the result of Napoleon’s campaign in Egypt from 1798-1801. By the Victorian Era, as imperialism continued to expand and study of ancient cultures became popular, the appropriation of Egyptian relics and cultures came to England.  Egyptian aesthetic influenced décor and eventually Egyptomania led to macabre events, such as “unwrapping” parties, which involved obtaining a mummy to unwrap as a social event. These social events became so popular that one gentleman wrote that he had been to over forty of these unwrapping’s. The draw to this new fad was its connection to spiritualism, superstition, the macabre, and a connection to the ancient past. This new fad seems to have influenced everything from literature, fashion, architecture, and even social etiquette.  

Egyptian popularity eventually made its way into the arts as a new genre of horror fiction emerged taking on the fear of the foreign and unknown. Initially, gothics’ horror...

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Chronology Entry
Posted by Lydia Lords on Sunday, November 25, 2018 - 22:33
Chronology Entry
Posted by Lydia Lords on Sunday, November 25, 2018 - 22:08

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