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This online exhibit tracks the connections between fin-de-siecle Victorian theatre and avant-garde 19th century periodicals. 

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Individual Entries

Place
Posted by Marion Grant on Tuesday, August 7, 2018 - 21:49

8 Kings Bench Walk, Temple, London EC4Y 7DU, UK

Irish Novelist George Augustus Moore was born In County Mayo, Ireland in 1852 (Knechtel 1). He initially began his career as an artist in France, moving there at the age of 21 to study at l’Ecole des Beaux Arts and Jullian’s Academy(Knechtel 1). After realizing painting was not his forte, Moore decided to enter the literary realm and travelled back to London. He was fundamental in introducing French Naturalism, which champions observation and science in fictional creations, to the British literary community, through his early novels A Modern Lover and A Mummer’s Wife (Encyclopedia Britannica). Moore’s works were often banned from libraries forcing only the most daring of publishers, like John Lane of The Yellow Book, to work with him (Knechtel 2). Moore moved again in 1901 to Dublin, and became a figurehead of the Irish Literary Renaissance movement along with William Butler Yeats and Lady...

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Place
Posted by Marion Grant on Tuesday, August 7, 2018 - 21:49

10 Gilston Road, The Boltons, South Kensington, UK

Laurence Sydney Brodribb Irving was born on December 21st, 1871. His parents were Florence O’Callaghan and Sir Henry Irving, who was a close personal friend and colleague of Ellen Terry’s for many years at the Lyceum Theatre. During his career he worked as an actor, Dramatist, and Novelist. He wrote several plays over the course of his life, including “The Fool Hath Said: There Is No God” (1908) and “Dante” (1903). He married Mabel Lucy Hackney in 1903 in Kensington. Both Laurence and Mabel served as members of a theatrical troupe that toured internationally. Apparently, one of Laurence’s plays failed so tremendously financially that his father was forced to sell the Lyceum Theatre, where both Henry and Terry...

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Place
Posted by Marion Grant on Tuesday, August 7, 2018 - 21:48

7 Elsworthy Rd, London NW3 3DS, UK

Mabel Dearmer was a British poet, illustrator and Draughtsperson. She was born in London on March 22nd, 1872 (Oxford University Press). Dearmer contributed illustrations for both The Yellow Book and The Savoy, creating the cover for the ninth issue of The Yellow Book.

Place
Posted by Marion Grant on Tuesday, August 7, 2018 - 21:48

13 Holland St, Kensington, London W8 4NA, UK

Walter Crane, an illustrator, painter, and designer, followed in the artistic footsteps of his father, Thomas Crane, who was a portrait painter and miniaturist (Encyclopedia Britannica). Crane was born in Liverpool in 1845 and relocated in London in 1857. Following the move, Crane served as an apprentice for three years to wood engraver W.J. Linton in London (O’Neill 1). He was associated with the Pre-Raphaelite movement from very early on in his artistic career (Oxford Art Online). Crane was also a founding member of the Art Worker’s Guild, created in 1884, and the Arts and Crafts Exhibition Society, founded in 1888. He severed as Director of Design at Manchester School of Art from 1892 until 1895 and as President of the Royal College of Art from 1899- 1900) (O’Neill 3). Crane went on to contribute to both The Yellowbook and The Pagent. He possessed a personal relationship with Ellen Terry and her daughter Edith...

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Place
Posted by Marion Grant on Tuesday, August 7, 2018 - 21:47

56 Lancaster Gate, London W2 3NA, UK

Although Craigie was raised in England, she was born as Pearl Richards on November 3rd, 1867 in Boston Massachusettes. In 1887 she married Reginald Walpole Craigie who she divorced quickly after the birth of their only son. Her first literary work was published in 1891 using her pseudonym, John Oliver Hobbes. She died very young at the age of 39 at the height of her career. She loved the theatre and wrote both novels and plays (“Pearl Mary Teresa Craigie Papers”). Craigie contributed to The Yellow Book.

Place
Posted by Marion Grant on Tuesday, August 7, 2018 - 21:47

14 Milborne Grove, The Boltons, Kensington, London, SW10 9SN

Pamela Colman Smith launched The Green Sheaf in 1903 and published a total of 13 issues in just over a year. Each copy of The Green Sheaf was hand colored by Smith and exhibited works of Terry's son, Edward Gordon Craig, and Christopher St. John, as well as many others. This publication grew out of her experience as co-editor for A Broad Sheet, which she produced with Jack Yeats (O'Connor 46). While planning The Green Sheaf, Smith solicted the advice of William Butler Yeats regularly (O'Connor 47). The Green Sheaf was priced at 13 shillings for a yearly subscription or individual issues for 13 pence each (O'Connor 48). 

The Y90s contributors of the periodical that wrote to Ellen Terry and Edith Craig were: Pamela Colman Smith, Edward Gordon Craig, Alix Egerton, Augusta Gregory, Herman Heijermans, Laurence Irving, Martin Shaw, Evelyn Garnaut Smalley,...

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Place
Posted by Marion Grant on Tuesday, August 7, 2018 - 21:45

The Vale, King's Road, Chelsea, London, SW3 5UT

The Dial was founded by Laurence Housman and printed by the Vale Press. Five issues of the dial were produced, the final issue was produced in 1897. 

Althought The Dial had a number of contributors, Laurence Housman was the only one that directed communicated with Ellen Terry and her daughter, Edith Craig. However, it is important to note that Charles Ricketts, who was widely featured in all the issues of The Dial, worked on many projects that involved Craig or Terry. Additionally, Ricketts seemed to have a complicated relationship with Terry's son, Edward Gordon Craig, wherein a letter to Terry, Edward accused Ricketts of "stealing his ideas again" (ET-Z4,145). 

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Place
Posted by Marion Grant on Tuesday, August 7, 2018 - 21:43

4-5 The Royal Arcade, Mayfair, London, W1S 4SD

The Savoy was a publication that only produced 8 issues during 1896. It was created by Arthur Symons, published by Leonard Smithers, and illustrated largely in part by Aubrey Beardsley. It was initally created in compeition with The Yellow Book. Of the final issue, a review for The Academy claimed that the publication could not be considered a "very remarkable or artistic feat" (The Academy 590). 

The Y90s contributors of the Savoy that exchanged correspondence with Ellen Terry or Edith Craig include: Max Beerbohm, Mabel Dearmer, Ford Madox Hueffer, George Moore, Joseph Pennell, William Rothenstein, George Bernard Shaw, Arthur Symons, and William Butler Yeats. 

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Place
Posted by Marion Grant on Tuesday, August 7, 2018 - 21:43

9 Vigo Street W, Mayfair, London, W1S 3EJ

The publishing house (The Bodley Head) for The YellowbookThe Yellowbook was published in London between 1894 and 1897 by Elkin Mathews and John Lane.

Y90s contributors from this periodical include Max Beerbohm, Pearl Craigie, Walter Crane, Mabel Dearmer, Norman Hapgood, Lewis C. Hind, Laurence Housman, Henry James, Richard Le Gallienne, George Moore, Joseph Pennell, William Rothenstein, Arthur Symons, Laurence Tadema, Theodore Watts, H. G. Wells, and William Butler Yeats. 

Place
Posted by Marion Grant on Tuesday, August 7, 2018 - 21:40

Lauderdale Mansions, Lauderdale Rd, Maida Vale, London W9 1LZ, UK

Arthur Symons is a British journalist, poet, playwright and critic, known for use and promotion of symbolism within his work. Symons most successful years came in the 1890s while he lived in Paris. During this time Symons learned from French literature, becoming an expert on the topic, he worked to integrate French styles into his own works (Evangelista 1). In the early 1890s Symons met Richard Le Gallienne and William Butler Yeats at the Rhymers’ Club. He loved the theatre and served as a theatre reviewer for some time (Evangelista 2). Symons contributed poetry and other works to both The Yellow Book and The Savoy, having served as the editor latter.

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