Criticism

The Echoing Cry

Submitted by Joshua King on Mon, 06/18/2018 - 14:21

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Teaching Transformation

Submitted by Lorraine Janzen... on Sun, 06/17/2018 - 07:10

The Race Detail
Figure 1. Detail from "The Race," by Laurence Housman; wood engraved by Clemence Housman, for The Were-Wolf (1896)

Blood in "The Were-Wolf"

Submitted by Lorraine Janzen... on Tue, 05/15/2018 - 11:20

Blood in The Were-Wolf

Christian Soteriology in Fin-de-Siècle Literature and Culture

Submitted by Lorraine Janzen... on Tue, 05/15/2018 - 11:19

Christian Soteriology in Fin-de-Siècle Literature and Culture

The Double in Gothic Fiction

Submitted by Lorraine Janzen... on Tue, 05/15/2018 - 11:17

The Double in Gothic Fiction

Transforming The Wolf in Words: White Fell and The Importance of Names

Submitted by Lorraine Janzen... on Tue, 05/15/2018 - 11:16

Transforming The Wolf in Words: White Fell and The Importance of Names

The Were-Wolf, British Folklore, and the Colour White

Submitted by Lorraine Janzen... on Tue, 05/15/2018 - 11:16

The Were-Wolf, British Folklore, and the Colour White

Scandinavian Myths and Grimm's Tales in Clemence Housman's The Were-Wolf

Submitted by Lorraine Janzen... on Tue, 05/15/2018 - 11:15

Scandinavian Myths and Grimm's Tales in Clemence Housman’s The Were-Wolf

Lycanthropic Women and Victorian Sexual Dissidence

Submitted by Lorraine Janzen... on Tue, 05/15/2018 - 11:14

Lycanthropic Women and Victorian Sexual Dissidence

Wood-Engraving as an Art and a Trade

Submitted by Lorraine Janzen... on Tue, 05/15/2018 - 11:13

Wood Engraving as an Art and a Trade

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Criticism

The Echoing Cry

Teaching Transformation

Blood in "The Were-Wolf"

Blood in The Were-Wolf

Christian Soteriology in Fin-de-Siècle Literature and Culture

Christian Soteriology in Fin-de-Siècle Literature and Culture

The Double in Gothic Fiction

The Double in Gothic Fiction

Transforming The Wolf in Words: White Fell and The Importance of Names

Transforming The Wolf in Words: White Fell and The Importance of Names

The Were-Wolf, British Folklore, and the Colour White

The Were-Wolf, British Folklore, and the Colour White

Scandinavian Myths and Grimm's Tales in Clemence Housman's The Were-Wolf

Scandinavian Myths and Grimm's Tales in Clemence Housman’s The Were-Wolf

Lycanthropic Women and Victorian Sexual Dissidence

Lycanthropic Women and Victorian Sexual Dissidence

Wood-Engraving as an Art and a Trade

Wood Engraving as an Art and a Trade

Pages

Log in

Blood in The Were-Wolf

Christian Soteriology in Fin-de-Siècle Literature and Culture

The Double in Gothic Fiction

Transforming The Wolf in Words: White Fell and The Importance of Names

The Were-Wolf, British Folklore, and the Colour White

Scandinavian Myths and Grimm's Tales in Clemence Housman’s The Were-Wolf

Lycanthropic Women and Victorian Sexual Dissidence

Wood Engraving as an Art and a Trade

Pages