The use of the sublime in nature in the novel and other adaptations of Frankenstein is very important.  The aesthetic appeal of the Orkney Islands plays a part in Victor Frankenstein’s reasoning for the destination. The Orkney Islands are traditionally windy and the water surrounding the islands produces large waves because of the windiness, while a thick fog is typical of the islands as well.  This atmosphere contributes to the aesthetics of the reader’s imagination in the scene where Victor runs off to Scotland, leaving behind his friend Henry Clerval.  Knowing that a monster has already been created and that the reason for Victor’s sudden trip to the Orkney Islands is to create a mate for “the monster” is reason enough to allow the reader’s mind to produce thoughts of hidden characters and underling concern for Victor’s safety.