The Fine Art Society are art dealers in New Bond Street in the West End of London since 1876. The gallery pioneered exhibitions by a single artist, including James McNeill Whistler in 1880.
Whistler exhibits eight oil paintings, including Nocturne in Black and Gold: The Falling Rocket, at the inaugural exhibition of the Grosvenor Gallery, established by Sir Coutts Lindsay and his wife as a venue for art of the Aesthetic and Pre-Raphaelite schools. Image: Self-Portrait of James McNeill Whistler, Arrangement in Gray: Portrait of the Painter, c. 1872 (Detroit, Michigan, Detroit Institute of Arts). This image is in the public domain in the United States because its copyright has expired.
Ruskin attacks Whistler and his paintings in the pages of Fors Clavigera, writing that “[f]or Mr. Whistler’s own sake, no less than for the protection of the purchaser, Sir Coutts Lindsay ought not to have admitted works into the gallery in which the ill-educated conceit of the artist so nearly approached the aspect of willful imposture. I have seen, and heard, much of Cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public’s face.” Image: Portrait of John Ruskin. This image is in the public domain in the United States because its copyright has expired.
Law suit for libel opened on 25 November 1878 at London’s Courts of Justice, with Whistler as litigant, claiming damages of £1000 from Ruskin. The verdict was awarded to Whistler after a trial lasting eight hours (the jury deliberated for another two), but as importantly, Whistler was awarded only one farthing in damages and no costs. Image: Self-Portrait of James McNeill Whistler, Arrangement in Gray: Portrait of the Painter, c. 1872 (Detroit, Michigan, Detroit Institute of Arts). This image is in the public domain in the United States because its copyright has expired.
On 20 Feb 1885, James McNeill Whistler gave his “10 O’Clock” lecture, Piccadilly, London, attacking social use of art. Part of a longer battle that included Whistler’s libel suit against John Ruskin in 1878; Whistler did not name Ruskin but alluded to a Philistine “Sage” who misled the public on art. Image: Self-Portrait of James McNeill Whistler, Arrangement in Gray: Portrait of the Painter, c. 1872 (Detroit, Michigan, Detroit Institute of Arts). This image is in the public domain in the United States because its copyright has expired.