Interactive Resource

The Were-Wolf, British Folklore, and the Colour White

Submitted by Lorraine Janzen... on Tue, 05/15/2018 - 11:16

The Were-Wolf, British Folklore, and the Colour White

Scandinavian Myths and Grimm's Tales in Clemence Housman's The Were-Wolf

Submitted by Lorraine Janzen... on Tue, 05/15/2018 - 11:15

Scandinavian Myths and Grimm's Tales in Clemence Housman’s The Were-Wolf

Lycanthropic Women and Victorian Sexual Dissidence

Submitted by Lorraine Janzen... on Tue, 05/15/2018 - 11:14

Lycanthropic Women and Victorian Sexual Dissidence

Wood-Engraving as an Art and a Trade

Submitted by Lorraine Janzen... on Tue, 05/15/2018 - 11:13

Wood Engraving as an Art and a Trade

1890s Print Revival and the Book Beautiful

Submitted by Lorraine Janzen... on Tue, 05/15/2018 - 11:12

The 1890s Print Revival and the Book Beautiful

Representing the Fin-de-Siècle New Woman and Aesthete

Submitted by Lorraine Janzen... on Tue, 05/15/2018 - 11:11

Representing the Fin-de-Siècle New Woman and Aesthete

Clemence Housman and Feminism in the 1890s

Submitted by Lorraine Janzen... on Tue, 05/15/2018 - 11:10

Clemence Housman and Feminism in the 1890s

Clemence Housman's Works

Brief Biographies of Clemence and Laurence Housman

Submitted by Lorraine Janzen... on Tue, 05/15/2018 - 11:10

Brief Biographies of Clemence and Laurence Housman

Clemence Annie Housman (1861-1955)

Textual History and Contemporary Reception of Clemence Housman’s "The Were-Wolf"

Submitted by Lorraine Janzen... on Tue, 05/15/2018 - 11:09

Textual History and Contemporary Reception of Clemence Housman’s The Were-Wolf

Editorial Introduction to The Were-Wolf

Submitted by Lorraine Janzen... on Tue, 05/15/2018 - 11:07

Editorial Introduction to The Were-Wolf

“…the mode of existence of a literary work of art is fundamentally social.”
(McGann, A Critique of Modern Textual Criticism, 8)

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Interactive Resource

The Were-Wolf, British Folklore, and the Colour White

The Were-Wolf, British Folklore, and the Colour White

Scandinavian Myths and Grimm's Tales in Clemence Housman's The Were-Wolf

Scandinavian Myths and Grimm's Tales in Clemence Housman’s The Were-Wolf

Lycanthropic Women and Victorian Sexual Dissidence

Lycanthropic Women and Victorian Sexual Dissidence

Wood-Engraving as an Art and a Trade

Wood Engraving as an Art and a Trade

1890s Print Revival and the Book Beautiful

The 1890s Print Revival and the Book Beautiful

Representing the Fin-de-Siècle New Woman and Aesthete

Representing the Fin-de-Siècle New Woman and Aesthete

Clemence Housman and Feminism in the 1890s

Clemence Housman and Feminism in the 1890s

Clemence Housman's Works

Brief Biographies of Clemence and Laurence Housman

Brief Biographies of Clemence and Laurence Housman

Clemence Annie Housman (1861-1955)

Textual History and Contemporary Reception of Clemence Housman’s "The Were-Wolf"

Textual History and Contemporary Reception of Clemence Housman’s The Were-Wolf

Editorial Introduction to The Were-Wolf

Editorial Introduction to The Were-Wolf

Pages

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The Were-Wolf, British Folklore, and the Colour White

Scandinavian Myths and Grimm's Tales in Clemence Housman’s The Were-Wolf

Lycanthropic Women and Victorian Sexual Dissidence

Wood Engraving as an Art and a Trade

The 1890s Print Revival and the Book Beautiful

Representing the Fin-de-Siècle New Woman and Aesthete

Clemence Housman and Feminism in the 1890s

Clemence Housman's Works

Brief Biographies of Clemence and Laurence Housman

Clemence Annie Housman (1861-1955)

Textual History and Contemporary Reception of Clemence Housman’s The Were-Wolf

Editorial Introduction to The Were-Wolf

Pages